“There have not been as many big hits that have stuck around. WBBM 780-AM/WCFS 105.9-FM Pat Cassidy Normal text size Larger text size Very large text size. At the time of both shows' departure from Talk Radio Network in fall 2012, The Savage Nation was estimated to have an audience of 9 million listeners and The Laura Ingraham Show was estimated at 6 million listeners.
A funny thing happened the week of March 8. Or stick with the guaranteed older audience, and lose out on the next generation? Will it work? [AQH Persons to a Station / AQH Persons to All Stations] x 100 = Share (%). Once gaining oversight of KROQ, the executive put into action a plan for both stations to mirror each other’s playlists — an unorthodox move, say industry observers. Credit: Newsday/Shelby Knowles. Copyright ©2020 RadioInsight / RadioBB Networks. And as Weatherly expanded his oversight inside CBS Radio (including KROQ, Jack and Amp), one insider says he became “completely checked out” when it came to KROQ. [4] 68 percent of homes have at least one radio, with the average home having 1.5 radios as of 2020, both figures being steep declines from 2008. DAN LUKE AND THE RAID Fool But in applying the success of Jack to KROQ, insiders believe he may have stripped the station of its personality. [1][8] NPR's Morning Edition and All Things Considered are the two most popular news programs. posted on July 7, 2020 at 3:20 pm by Robert Feder. More telling: that number was 40% among those 25 to 34.
In the winter, most of which was pre-COVID-19, WFAN finished first from 6 to 10 a.m. with an average of 6.7% of the audience in the key demo, ahead of ESPN’s 2.9. May not be quoted or reproduced without the prior written permission It’s all about “The Bit,” that special sauce that powered KFAN to national ratings primacy. Please note that format classifications here come directly from Nielsen and may not be 100% accurate or match the terminology utilized by RadioInsight. It takes a long time to build a new morning show. More For a long time, it was family and no business.”. Federman says he would ideally like to see the station do a better job catering to L.A.’s diverse makeup. “And that became a problem. Our audience is as diverse as ever and our playlist needs to be too.
THE 1975 Somebody Else They are very musically driven. [27] Among formats common to both platforms (all of which have since merged into singular channels), the contemporary hit radio channels, with a combined 1.6 million listeners, ranked highest, with classic rock, hot country music, 1970s and 1980s music channels each netting approximately 1 million listeners combined. But over time this demo will diminish and if you haven’t backfilled with new, young listeners, the ratings will suffer. And so every year more time was spent poring over the numbers. Some modern estimates peg his listenership at approximately 30 million listeners. To no one’s surprise, numbers were down across the board, given the lack of sports this spring and the fact fewer people were commuting to work and listening in their cars to WFAN and ESPN New York.
Podtrac The figures counted listeners over the age of 15 who tuned in for at least five minutes. “This was at a time where streaming was blowing up, and Spotify and iTunes, and we kept saying, people can get music almost anywhere now. The polarising Sydney talkback host hung up the microphone on Friday after a long and controversial career beguiling and hectoring his subjects. But the more corporate it got, the more decisions were being made by accountants and lawyers, the less successful the station became.”, “No one had a better term for it than Kevin Weatherly,” says former KROQ staffer Jay Tilles, who spent several years as producer on “Kevin & Bean” before heading up the station’s digital operations. However, market experts say that sustaining ratings boosts is hard in the radio business without exclusive programming, particularly in sports.
For KROQ, Federman and Kaplan express optimism that they can create a new legacy for the station, and perhaps live up to that “World Famous” moniker again. The company owns around 235 radio stations, facing similar challenges in virtually every market. For most of its existence, Talkers Magazine compiled Arbitron's data, along with other sources, to estimate the minimum weekly audiences of various commercial long-form talk radio shows; its list was updated monthly until the magazine unceremoniously dropped the feature in 2016, then resumed publication in 2017. TAME IMPALA Lost In Yesterday Privacy Policy | TWENTY ONE PILOTS The Hype The breakfast show has maintained its number one breakfast spot and HIT 105 shares the most popular radio station with a rival. There are really no boundaries when you think about music today. “I’m truly baffled by KROQ’s cold, heartless attitude toward the people who built this station,” he said on air. 24KGOLDN City Of Angels “I really thought we were going to be able to take his career into a whole other orbit by moving him into podcasting,” he says. “But others have taken that step to a different format and for a different target consumer.”, “Listeners absolutely expect rock to be a significant sound on the station,” counters one former staffer, a view with which Weatherly agrees. Joe and Evan would be the first to tell you that. listening to a particular radio station.
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