Working for the Associated Press, Burrows was a passenger in De Havilland Dragon Rapide. He was generous to all, a man who gave lessons to his colleagues not just on how to take photographs but, more important, on how to behave like a human being, how to be both colleague and mentor.

Born in London, Larry Burrows began working in the city's press in 1942, first in the art department of the Daily Express; he soon learned photography and moved on to the darkrooms of the Keystone photography agency and LIFE. Burrows’ book Vietnam was published posthumously and was awarded the Prix Nadar prize in 2002. Burrows did what he could to experience the war as a soldier: he flew combat missions with air crews, lived in military camps, and stayed at the front lines with the GIs during enemy fire. It was to no avail and Burrows captured the Farley's distress at the loss of his comrade.[11][12]. During his lifetime, his work was exhibited at the Royal Photographic Society in London, in 1971, and the Rochester Institute of Technology sponsored a traveling exhibition of his photography in 1972. [6], He had an early success with his coverage of the demolition of the Heligoland U-Boat Pens in 1947. However, Burrows persuaded the pilot to fly over at only 500 feet, knocking out the window perspex when it obscured his shot. Working for the Associated Press, Burrows was a passenger in De Havilland Dragon Rapide. Henry Frank Leslie Burrows (29 May 1926 – 10 February 1971), known as Larry Burrows, was an English photojournalist. His work One Ride with Yankee Papa 13 was first published in LIFE magazine on April 16, 1965, and would become one of his most famous collections. [4], Some accounts blame Burrows for melting photographer Robert Capa's D-Day negatives in the drying cabinet,[5] but in fact it was another technician, according to John G. I must mention Larry Burrows in particular. To us younger men who had not yet earned reputations, he was a sainted figure. He photographed the war in Vietnam from 1962 until his tragic death in 1971. Biography. [3] It was not unknown for him to redo a whole day of work in order to secure the best result. I concluded that what I was doing would penetrate the hearts of those at home who are simply too indifferent.

[8] 'Reaching Out' became one his most famous images. Such dedication eventually cost him his life, when his helicopter was shot down over Laos. His first job gave him exposure to some of the world's best news images.
At the age of 16, he dropped out of school and started working for LIFE magazine’s London bureau. ICP's museum is reopening October 1! [13], Burrows died with fellow photojournalists Henri Huet (Associated Press), Kent Potter (United Press International) and Keisaburo Shimamoto (freelancer with Newsweek)[14], when their helicopter was shot down over the Ho Chi Minh Trail in Laos[8] as the group covered Operation Lam Son 719. This website stores cookies on your computer. [4], Burrows went on to become a photographer and covered the war in Vietnam from 1962 until his death in 1971. Officially they were supposed to go no closer than 9 miles to the island.

It's free, transparent and innovative.Join today. The Prix Nader award recognizes one photography book annually that was edited in France. The few remains that exist of Burrows, Potter, Huet, and Shimamoto were honored on April 3-4 of 2008, and interred at the Newseum, a museum of news and journalism, in Washington, D.C. [10], Flying in a helicopter with the US Marines' Medium Helicopter Squadron 163, Burrows captured the death of Yankee Papa 3 co-pilot Lieutenant James Magel.

His main role there at that time was printing photographs. John G. Morris, "Get the picture, A personal history of photojournalism", Random House Inc, N-Y 1998.

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