[13] Produced by Creed Taylor, the album was released by Verve Records. As a result, the double bassist credited on Getz/Gilberto is Tommy Williams, Getz's regular bassist. Stan Getz & Joao Gilberto: “Getz/Gilberto” (50th Anniversary) (Verve 20749), their Carnegie Hall version of “Girl From Ipanema”, Gil Evans: “Into The Hot” (orig. She'd had no professional musical experience of any kind until 1963, the year of her visit to New York with her husband, João Gilberto, in a recording session headed by Stan Getz. [36], The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die. It might have been during this negotiation that Gilberto’s wife, Astrud, was invited to come along and sing the English lyrics on two of the songs. One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest innovators -- guitarist/singer João Gilberto and composer/pianist Antonio Carlos Jobim -- to New York to record with Stan Getz.
Susan Noye Platt, art critic and historian, wrote about Albizu's relationship with bossa nova: There is a controlled and subtle sensuality to her [Albizu's] work, that speaks of hidden layers of emotion, rather than letting everything appear on the surface to be consumed. In the case of Albizu, the connection to music, and particularly bossa nova, as well as her exposure to Hans Hofmann's ideas of "push and pull", allows for the work to exist without other reference points.
Bossa nova was introduced in 1958, with the song "Chega de Saudade" ("No More Blues"), sung by Elizeth Cardoso on her album Canção do Amor Demais. Bryan McCann traces the history and making of Getz/Gilberto as a musical collaboration between leading figure of bossa nova João Gilberto and Philadelphia-born and New York-raised cool jazz artist Stan Getz.
In 1956, he returned to Rio and struck up old acquaintances, most significantly with Antônio Carlos Jobim, who was by then working as a composer, producer, and arranger with Odeon Records. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history -- "The Girl From Ipanema," a Jobim classic sung by João's wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session. The album became the best-selling jazz album up to that point, and made Gilberto a star across America.
[18], Astrud Gilberto, who had never sung professionally before was featured on two tracks,[13][19][20] "The Girl from Ipanema" and "Corcovado (Quiet Nights of Quiet Stars)". This negligence (and the ensuing sound fiasco) prompted the audience to stream from the venue before the concert ended.
With one of the greatest hit singles jazz has ever known - each one who hears it goes "Ahhh!" This was the first time a jazz album received Album of the Year. Joao Gilberto, el creador del Bossa, se une a uno de los máximos exponentes del jazz mundial y un saxofonista magnífico Stan Getz, para hacer uno de los mejores álbumes hechos jamás. Born in Bahia, Gilberto moved to Rio de Janeiro at an early age. Ten years after the release of Getz/Gilberto the pair reunited at the Keystone Korner club, in San Francisco for a six-day engagement promoting their new album, The Best of Two Worlds.[c]. With such uniformly brilliant material, it's no wonder the album was such a success but, even apart from that, the musicians all play with an effortless grace that's arguably the fullest expression of bossa nova's dreamy romanticism ever brought to American listeners.
The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. In 1959, Gilberto released another 78 rpm, containing "Desafinado" by Jobim and Newton Mendonça, and "Hô-bá-lá-lá", written by himself.
The best solution was the box set “The Bossa Nova Years” which collected all of Getz’s Brazilian recordings on 4 CDs.
They were accompanied by two other Brazilians, bassist Sebastião Neto and drummer Milton Banana. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" ("The Girl from Ipanema") and "Corcovado". Thus, it was necessary to issue the voice in a volume close to that of ordinary speech. That problem has been corrected, and more importantly, the presence of the recording is greatly improved.
In March 1959, he released the LP Chega de Saudade, which became a sales success and had a major impact in the history of Brazilian music. [16] Phil Ramone, who owned A&R Recording Studios, was the album's sound engineer.
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