figuring out time and to reduce impediments to content reasoning. Retina communicates to brain at 10 million bits per second: Implications for evidence displays? Sacha Greif has an excellent essay on current digital design trends. Only then do we turn to the technical implementation, which becomes simply a by-product of the interface screens and interface activites. Stefano Baldassi1, Nicola Megna1, David C. Burr1,2. "We're so internal representation of stimulus orientation arises from a nonlinear combination of the His work is Screen after screen should be specified in intense detail by content experts, completely independently and without reference to how those screens might be created. Yes, of course he and his team use all the latest computer-aided design tools, time institutionalising that, talking about it, you end up chasing your tail.". Visual representations of data must tell the truth. It should go without saying that a great piece of data visualization … I thought the latter was to present information in a way that was within the human capabilities to perceive and process. Christopher Frayling reminded us at that point of Henry Ford's line about what his customers would have demanded if data-ink" side. reported simultaneously the direction and magnitude of the tilt of a target grating matter whether the results favor or disfavor my theories. From Rory Cellan-Jones, BBC dot.life, "Listening to Mr. iPhone:", "For a large multi-billion dollar company we don't actually make many different products," he explained. There are a lot of software solutions around desperately looking for some kind of problem to solve--that is, inside-out design. Please elaborate on the differences between your analytical information presentation principles and the human factors design approach. Converting principles of thinking into principles of design helps answer the most difficult question of all in the theory of analytical design: Where do principles of analytical design come from? Ironically, and a bit humorously, there is substantial use of data-imprisoning grids I believe that work about analytical displays should be self-exemplifying; that is, the work should show us amazing displays of evidence. could be crafted into a laptop casing. This contrasts to the work of scientists, artists, art historians, and architects--work overflowing with ideas about evidence, seeing, and the craft of making analytical displays. This theme runs through the first 3 books, with increasing elaborations over time: the Sparkline > Steve Jobs > Andy Warhol in Google results, Wavefields: intense animated data graphics, odds ratios, graphing positive and negative associations together. Thank you. but he also likes to knock out a physical prototype and feel the weight of it in his hand. But better tools for users will be more likely the product of outside-in design which make the content-substance and analytical tasks of the user the driving priority. In working on 4 books on analytical design, I have often turned to the human factors literature, and then left in despair, finding few examples or ideas (beyond common-sensical) that were useful in my own work. To my knowledge, his work is the most analytically aware of any of the experimental If true, wouldn't that design imperative completment the content drives and cognative needs which you stress underlie your univeral principles. erroneous perceptual decisions in cluttered environments are made with high confidence Don't think much of human factors studies that support my views. But I understood you to say your approach and human factors' were opposites in an answer at UCLA. The interface design, the content design should drive the entire development process. work. Seeing with Fresh Eyes: Meaning, Space, Data, Truth takes all that he knows into a yet deeper level of wisdom and wider realm of inquiry. aerial photographs, and the day-to-day practices of scientific research that involves a In this book Tufte laid out his key data visualization principles. If not, the content-specification will be governed and distorted by the needs of the already-existing software. The Vice-President for Programming reports to the Senior Vice President for Content!
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