[62] By the end of the night, Davis told Evans that he would be playing their next engagement in Philadelphia. [12], Evans remembered Leland with affection for not insisting on a heavy technical approach, with scales and arpeggios. Once the musicians were assembled, Davis gave brief instructions for each piece and then set about taping the sextet in studio. And allowing our talents to merge in a very natural way. E, ainda assim, todos concordam sobre a dificuldade de colocar em palavras a dimensão de sua arte. Between 1969 and 1970 Evans recorded From Left to Right, featuring his first use of electric piano. [47], At the beginning of a several-week tour of the trio through the Pacific Northwest in the spring of 1979, Evans learned that his brother, Harry, who had been diagnosed with schizophrenia, had committed suicide at age 3 on his senior recital, graduating with a Bachelor of Music in piano and a bachelor's in music education. [41] He was also a keen golfer, a hobby that began on his father's golf course. Although the police put him in jail for the night he was not charged. Debussy, Claude, -- 1862-1918 -- Influence. In 1958 he joined Miles Davis in what proved to be a historic eight-month collaboration. LaFaro's death, at age 25, in a car accident, ten days after the Vanguard performances, devastated Evans.

In 1961, ten days after finishing an engagement at the New York Village Vanguard jazz club, LaFaro died in a car accident. Records. Evans started to play an introduction using an ostinato figure. [10], In 1961, Evans produced four albums in rapid succession. He hosted a jazz program on the camp radio station and occasionally performed in Chicago clubs, where he met singer Lucy Reed, with whom he became friends and later recorded. Ironically, after recording, Evans was utterly unwilling to release it, believing the trio had played badly. During this decade, jazz was swept into a corner, and most new talents had few opportunities to gain recognition, especially in America. Come on, now. http:\/\/id.loc.gov\/authorities\/subjects\/sh2008122267> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/27314583#Person\/debussy_claude_1862_1918> ; http:\/\/id.worldcat.org\/fast\/982167> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/27314583#Person\/beiderbecke_bix_1903_1931> ; http:\/\/id.loc.gov\/authorities\/classification\/MT4> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/27314583#Person\/ravel_maurice_1875_1937> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/27314583#Person\/evans_bill_1929_1980> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/27314583#Person\/davis_miles> ; http:\/\/id.worldcat.org\/fast\/972484> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/27314583#Person\/byrne_edmond_f> ; http:\/\/worldcat.org\/entity\/work\/id\/27314583> ; http:\/\/www.worldcat.org\/title\/-\/oclc\/41092172> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/27314583#Person\/beiderbecke_bix_1903_1931>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/27314583#Person\/byrne_edmond_f>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/27314583#Person\/davis_miles>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/27314583#Person\/debussy_claude_1862_1918>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/27314583#Person\/evans_bill_1929_1980>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/27314583#Person\/ravel_maurice_1875_1937>, http:\/\/id.loc.gov\/authorities\/classification\/MT4>, http:\/\/id.loc.gov\/authorities\/subjects\/sh2008122267>, http:\/\/www.worldcat.org\/title\/-\/oclc\/41092172>.

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