The exhibition, titled “Korda in America,” is comprised of over 60 images, almost all of which have never before been seen or exhibited.
Whilst the symbolism attached to the photograph transcends the photographer, as a student of photography one must learn about the author and his life to better understand his motive and inspiration. His most recognizable image of Che Guevara, titled “Guerillero Heroico”, became a worldwide emblem of revolution and rebellion. Korda decided to assign became part of the revolutionary cause, immediately he got caught up in the ideals of the revolution and began photographing its leaders. Shortly after he found an underwater photography laboratory for the Cuban scientific academy. However, the masses seldom know their author. Born the son of a railway worker and a housewife in Havana, Cuba, Alberto Korda went on to photograph such important historical figures and luminaries as Nikita Khrushchev, Simone de Beauvoir, and Jean-Paul Sartre, and was awarded the Cuban ”Palma de Plata” in 1959 and the National Culture Distinction, Ministry of Culture, Cuba in 1994.
So when some years after the revolution the Cuban state newspaper changes its direction, he chooses to resign and abandons photojournalism. One of his best known photographs is “La niña de la muñeca de palo (The little girl with the wooden doll)”. Works: Almost half of his career was devoted and truly inspired by the leftist ideas of social justice and solidarity. It lasted almost six years and its effect was the erection of a socialist state.
Alberto Korda, born in Havana, is the Cuban photographer behind the iconic photograph of Che Guevara “Guerrillero Heroico (Heroic Guerrilla Fighter)” the world famous Marxist revolutionary from Argentina. https://www.youtube.com/watch?v=hivoWMDZ9vI For Korda his work served a greater purpose. That was when the newly established newspaper, symbolically called Revolution, was in a quest for photographers which should spread revolutionary ideas through images. Korda’s approach was indeed innovative in the sense of carefully composing each shot, which marked his efforts grand not only in the context of revolutionary but fashion and underwater photography as well. “There's something about his eyes in the photo.
We aim at providing better value for money than most. [1]. The depictions of the development of Cuban revolution in the work of Alberto Korda are staggering and immaculately delivered visual observations. This photograph shows the Cuban politician and revolutionary standing in contemplation in front of the Lincoln Memorial. Soon after the transformation, Cuban society started building itself from within which meant new structures from education, health care to media. For Korda photography is more than technique, it is best defined in Antoine de Saint-Exupery’s “Little prince”: “It is only with the heart that one can see rightly; what is essential is invisible to the eye”.
Neither Castro nor the Cuban government paid Korda during that period. It was captured due to the memorial service after a Belgian transport exploded in Havana harbor and killed 136 people. Alberto Korda died on May 25, 2001 in Paris. First to Venezuela and later to the United States. Korda, whose real name was Alberto Díaz Gutiérrez, was born on September 14, 1928 in Havana, Cuba. This portrait represents the major role played by women during the revolution. Since the two partners were cluttered with commissions and business went well, Korda was able to commit himself to creating personal and distinct style. Korda recorded a major moment in modern history when he captured “Fidel in Washington”. Korda also loved fashion – mainly because of the beautiful models, however fashion photography was not a custom at that time in Cuba, so Korda began his photography career taking photos for advertisements. Thanks to that effort the photographer rapidly gained reputation and enabled himself to become pioneering Cuban fashion photographer and the new Cuban star was born. His … In the span of approximately fourteen days between Washington, New York and Boston in April of 1959, Korda documents a whirlwind of activity, capturing not only the public face of the 33-year-old Prime Minister of Cuba, but also the relaxed, intimate, and even humorous moments throughout the visit. Although I grew up seeing Che Guevara’s portrait on prints, T-shirts, and wall graffiti; I cannot recall when was the first time I saw it or reflected upon what it represented and the ideas it embodied. [2], The Cuban newspaper “La Revolución (The Revolution)” sent Korda to follow Fidel Castro in two of his trips. In between 1968 and 1978 Korda became more focused on underwater photography and gained international recognition which was supported with a number of exhibitions around the globe. Alberto Korda was the official photographer of Fidel Castro.
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